Archive for category Movie Review

Twilight: New Moon (Extended Review, Guest Review)

(Guest Review by Kimberly North)

The Twilight Saga continues with Bella Swan (Kristen Stewart) relatively content in a perfect routine with vampire boyfriend Edward Cullen (Robert Pattinson), school and dad Charlie. But a paper cut at a birthday party Bella reluctantly attends changes everything, when Edward’s brother, Jasper (the newest “vegetarian” in the family) loses control. Edward breaks up with Bella and leaves Forks with his family. Bella of course is devastated and sinks into a four month depression. Thankfully the movie covers this relatively quickly as this period makes New Moon probably the most depressing of the four books.

And so enters Jacob. Once just a childhood friend with a bit of a crush, Jacob has “filled out” to say the least. Jake introduces Bella to motorbikes and his equally buff friends, all of which creates some distraction from Bella’s heartbreak. And so folks, we have a love triangle on our hands fuelling a Team Edward / Team Jacob phenomenon amongst Twi-hard  fans. Bella finds her only chance to see Edward (albeit as a vision) is through any reckless activity she can find. And Jacob has his own dangerous secret to match Edward’s, which gives Director Chris Weitz room to bring some amazing special effects to the saga.

New Moon is well directed, the sets and locations are amazing, and the story moves at a great pace that is pretty true to the book. I was disappointed the filmmakers didn’t stick with composer Carter Burwell from Twilight – I would have liked to see Bella’s Lullaby from the original soundtrack used throughout the series. It’s my only real criticism of a thoroughly enjoyable flick. I found the story on the big screen quite comical, probably as I was surrounded by equally excited fans who squealed with delight every time Jacob had the opportunity to remove his shirt! New Moon seemed to have a lot more sincerity about it on DVD, with some particularly moving performances by Taylor Lautner.

The usual gang are back for this sequel, including Victoria who is hell-bent on avenging James’ death. The Volturi (vampires’ “royal family”) brilliantly headed up by Michael Sheen are introduced. Dakota Fanning is genuinely scary as Jane – is there anything this young actor can’t do?

Bring on Eclipse I say!

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Shutter Island

офис обзавежданеIncredible drama by director Martin Scorsese about two U.S. Marshals (Leonardo DiCaprio and Mark Ruffalo) who travel to Shutter Island, home to a heavily guarded mental institution, to investigate the disappearance of one of its patients.  I was hooked on this thriller from the first note I heard in its haunting score which sets the chilling environment on this island full of crazy people.  Aided by the excellent Sir Ben Kingsley as the head psychiatrist, DiCaprio puts on an acting clinic for 138 minutes.  In fact, I can’t think of a single scene that DiCaprio wasn’t in, and I’m shocked he wasn’t nominated for an Academy Award.  While I understand the DiCaprio show isn’t for everyone, that can’t stop me from highly recommending this.

Note: While it’s irrelevant to me, I’ve read that faithful fans of the original Dennis Lehane novel (Mystic River, Gone Baby Gone) might be highly disappointed in many of Scorsese’s creative decisions, so I need to temper your expectations a bit.

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Ghost Town

Ricky Gervais stars as a dentist who dies for seven minutes before he is revived.  However, once he’s back in the real world he quickly finds out he now has the ability to interact with ghosts that apparently only exist to annoy him.  He’s particularly hounded by a recently deceased man (Greg Kinnear) that wants to to use him to break up his widow (Tea Leoni) and her new man.  It’s a fine movie with Ricky Gervais generating most of the humor in his usual awkward and annoyed zingers.  I also need to give a shout-out to supporting actress Kristen Wiig (Saturday Night Live, Knocked Up) who continues to nail her comedic timing and delivery.   Don’t go out of your way to see Ghost Town, but there are laughs here if you catch it.

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Surrogates

In 2054, the vast majority of the human population will own and control a robotic surrogate to interact with the world while staying remote and safe at home.  With the first violent crime in years, two FBI agents (Bruce Willis and Radha Mitchell) are on the investigation.  Surrogates sets up some interesting “what if” questions about our own society that lives anonymously online and engages in virtual worlds such as Second Life and World of Warcraft.  At 89 minutes (with opening and closing credits), Willis, along with supporting actors Ving Rhames and James Cromwell, keep the fast-paced movie certainly watchable until it all comes crashing down at one of the most ridiculous and selfish endings I have ever seen.

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The International

Released during the worst banking industry crisis in American history, The International tells the story of the IBBC, an international bank engaged in terrorism and arms dealing, and the Interpol agent (Clive Owen) and Manhattan Assistant DA (Naomi Watts) who team up to take it down.  My problem isn’t the overused clichés (evil bank run by a group of shadowy white men, constant scenery jumps from country to country), it’s that the movie is just overly dull.  Having said that, the middle of the movie randomly features one of the most preposterous and absurd shootouts I’ve ever seen.  For a moment I thought I accidentally hit my remote and popped in a different movie.  Recommended to avoid.

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Sunshine Cleaning

The producers of Little Miss Sunshine make another quirky family-comedy-drama with Alan Arkin in a supporting role.  Sunshine Cleaning stars Amy Adams (Doubt, Enchanted) and Brit Emily Blunt (Devil Wears Prada) as sisters that don’t get along, but come together in their need of quick cash.  Police Officer Steve Zahn (Rescue Dawn) gives them a heads up on money to be made by cleaning up crime scenes.  Little Miss Sunshine is funnier, but Sunshine Cleaning is far more emotional.  It’s about dealing with the love, happiness, frustration, and pain in a dysfunctional family in the real world.  At 91 minutes, it’s not overly spoon-fed and quite recommended.

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Up In The Air

Up In The Air is about the crisis of choice facing modern single professionals (think of a slightly more mature Jerry Maguire or Garden State).  Despite the heavy sociological questions posed by the film, it is constantly entertaining thanks to its quick-witted script and effective performances by George Clooney, Vera Farmiga (The Departed) and Anna Kendrick (Twilight).  While it hovers above romantic comedy territory, Up In The Air admirably resists the temptation to land on the adopted shorthand of the genre, instead maintaining strong thematic focus and commitment.  Highly recommended.

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Babylon A.D.

Vin Diesel and Michelle Yeoh continue to squander their potential by starring in this nonsensical jumble of science fiction about a grizzled mercenary hired to smuggle a girl from a Central Asian convent into New York in the near and dystopian future.  Babylon A.D. is aggressively worthless  Even those seeking a quick fix of scifi and action will have even the lowest of expectations squashed.  It is an astonishingly vague and joyless movie with a monotone script that feels like filler, intended to be inserted into a better movie.  What little action there was is uninspired and lackluster.  There are no jokes of any kind.  There are no interesting characters, intriguing moments or clear motivations.  I generally understand that the movie had something to do with saving the world, but honestly could not tell you if the world was successfully saved or not.  My 90 minutes, I can tell you, are lost and gone forever.

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Fracture

Fracture stars Anthony Hopkins as a confessed wife-murderer and Ryan Gosling as the impeccable prosecutor who seeks to bring him to justice.  It is the type of thriller where nothing is as it seems and simple questions become confounding puzzles.  It is effective, not least because Hopkins plays well to his as usual, larger-than-life persona and Gosling manages to stand his own against the legendary veteran.  The result is an engaging battle of wills and a compelling mystery that is well worth a couple of hours on a Sunday afternoon.  Recommended.

The Hangover

The Hangover is a buddy comedy about a Bachelor party gone horribly wrong.  While it is not particulary unique in any specific aspect, but it hits its comedic aspirations admirably.  What elevates The Hangover above the spate of 30-something coming of age comedies to crowd theaters since Old School is its cast, which omits all of the usual suspects (Stiller, Wilson, Rogan, Ferrell, etc.), while finding appealing chemistry between its relative unknowns.  Recommended.